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	<title>Tracy&#039;s E-learning and Digital Cultures Blog &#187; Gordon Bell</title>
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		<title>Week 12: lifestream summary</title>
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		<pubDate>Sun, 13 Dec 2009 16:40:31 +0000</pubDate>
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				<category><![CDATA[assignment]]></category>
		<category><![CDATA[lifestream summary]]></category>
		<category><![CDATA[lifestreaming]]></category>
		<category><![CDATA[Bayne]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Final Summary]]></category>
		<category><![CDATA[Gordon Bell]]></category>
		<category><![CDATA[Haraway]]></category>
		<category><![CDATA[Second Life]]></category>
		<category><![CDATA[Social network]]></category>
		<category><![CDATA[Twitter]]></category>
		<category><![CDATA[Usher]]></category>
		<category><![CDATA[Virtual reality]]></category>
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		<description><![CDATA[This entry is part 12 of 12 in the series weekly summaries
I began my lifestream with a sense that I would be saving ephemera.  In my early blog posts I played with the ‘why?’ of the activity.  Was I creating commonplace book, a scrapbook of nostalgia, the virtual clippings and travel stubs to remind me [...]]]></description>
			<content:encoded><![CDATA[<div class="seriesmeta">This entry is part 12 of 12 in the series <a href="http://digitalculture-ed.net/tracys/series/weekly-summaries/" id="series-110" title="weekly summaries">weekly summaries</a></div><p><img class="aligncenter size-medium wp-image-254" src="http://digitalculture-ed.net/tracys/files/2009/12/ff7_dc_lifestream05-300x210.jpg" alt="ff7_dc_lifestream05" width="300" height="210" /></p>
<p>I began my lifestream with a sense that I would be saving ephemera.  In my early blog posts I played with the ‘why?’ of the activity.  Was I creating <a class="zem_slink" title="Commonplace book" rel="wikipedia" href="http://en.wikipedia.org/wiki/Commonplace_book">commonplace book</a>, a scrapbook of nostalgia, the virtual clippings and travel stubs to remind me of my journey? Or a bower bird, attracting a mate?  If so who was I flirting with – my tutor, my classmates or a wider public?</p>
<p>As the course progressed and the group bonded we looked more seriously at our role, were we curators creating our own <a class="zem_slink" title="Cabinet of curiosities" rel="wikipedia" href="http://en.wikipedia.org/wiki/Cabinet_of_curiosities">cabinet of curiosities</a> or wunderkammer.  I enjoyed Jen and Tony’s discussion, particularly <a href="../../tonym/2009/10/15/worrying-about-the-cabinet-of-curiosities/">Tony’s articulation</a> of his concerns, in that it set the collector apart from the collection, not with appropriate academic detachment but a tinge of imperialistic superiority.  This was further explored in the ethnography project – should we observe, or engage?  Here I began to see the emergence of a more useful position on lifestreaming: as a record of engagement.  Much of the internet is ephemeral – I don’t see the point in <a href="http://twapperkeeper.com/">saving your tweets</a> and <a href="http://www.fastcompany.com/magazine/110/head-for-detail.html">Gordon Bell’s</a> decision to digitally archive every detail of his life disturbs me. Yet the experience of creating a lifestream helped me understand how maintaining a <em>selective</em> record of your engagement is a very valuable academic or developmental act that has a performative value.</p>
<p>Interestingly the lifestream did not for me contribute to the social aspect of the course.  As a group we interacted well, but primarily through the blogs and <a class="zem_slink" title="Twitter" rel="homepage" href="http://twitter.com">Twitter</a>.  I visited other students lifestreams initially to get a sense of which feeds they were using, but once I felt satisfied with the balance of my own feeds my visits to others’ pages was limited to their blogs.  For this reason lifestreaming for me was a personal act (albeit in a public space) which relieved me of having to worry about the appropriacy of what I was selecting.  I chose to link not only websites, images and quotes directly relevant to my work, but also more tangential associations; blog posts which examined how the net and digital technology is changing who we are – social media’s contribution to the emergence of a posthuman population.</p>
<p>Finally, as I moved towards choosing the topic of a final assignment I looked out how disconcerting online spaces can be for both teachers and students.  In a <a class="zem_slink" title="Second Life" rel="homepage" href="http://Secondlife.com">Second Life</a> talk <a href="http://blip.tv/file/2482035">Nik Peachey</a> discussed how in a <a class="zem_slink" title="Virtual world" rel="wikipedia" href="http://en.wikipedia.org/wiki/Virtual_world">virtual world</a> a teacher was often left wondering what their students were doing.  Were they paying attention or reading emails?</p>
<p>Usher (1998) talks of (dis)location:</p>
<blockquote><p>a space and a non-space; a (dis)location &#8211; something that is both positioned and not positioned, (dis)placed but not re-placed, a diaspora space of hybridity and flows where one and many locations are simultaneously possible.</p></blockquote>
<p>Similarly Bayne (forthcoming 2010) notes:</p>
<blockquote><p>At the same time, the ontological blurring of being and not-being, presence and absence online, are crucial in considering how distance modes re-position the ‘thereness’ of learners and teachers, rendering us in a sense ghost‐like</p></blockquote>
<p>The lifestream is a response to this enigma of absence/presence.  We become present through our streams.  This is why I noted that the act of selecting gained for me a performative value.  It represented my engagement.  Initially I was concerned with populating my lifestream in order to prove I existed (and was doing valuable work), but as I grew more comfortable with it I allowed it to give voice to my absence.  When mystified by Haraway (2000) I avoided the stream for a few days  as a way of expressing my confusion and need to retreat and resolve myself as a learner.  Similarly, I allowed myself to be playful – to add threads of whimsy: my personal skepticism towards the skill of multi-tasking for instance.</p>
<p>In this way my lifestream became another form of embodiment, and presumably a way for my tutor to gauge my presence and engagement in a non-threatening way.  It gave a little solidity to my phantom self as I haunted our virtual spaces.</p>
<p>Bayne, S. (forthcoming, March 2010). <a href="http://www.education.ed.ac.uk/on-line_campus/e-learning/library/edc/bayne2009.pdf">Academetron, automaton, phantom: uncanny digital pedagogies</a>. <em>London Review of Education</em>. [revised version uploaded 10 November 09]</p>
<p>Haraway, D. (2000). <a href="http://www.education.ed.ac.uk/on-line_campus/e-learning/library/edc/Haraway34.pdf">A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late 20th Century</a>. in D Bell and A Kennedy, <em>The Cybercultures Reader.</em> Routledge.</p>
<p>Usher, R. and Edwards, R. (1998). <a href="http://www.education.ed.ac.uk/on-line_campus/e-learning/library/edc/usher_edwards1998.pdf">Lost and found: ‘cyberspace’ and the (dis)location of teaching, learning and research</a>. SCUTREA 1998, Exeter.</p>
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