Posts Tagged reading

This is a very interesting text. First it gives a good definition of what “posthuman” is:

- informational pattern is privileged over material instantiation, so that biological embodiment is seen as an accident of history rather than an inevitability of life;

- consciousness is not seen as a central phenomenon, but as a minor sideshow;

- body is seen as a prosthesis which can be extended or replaced;

- there are no boundaries between bodily existence and computer simulation

The text is basically concerned with the concept of embodiment. The author is arguing that disembodiment is not necessarily a consequence of the posthuman. In fact her “dream is a version of the posthuman that embraces the possibilities of information technologies without being seduced by fantasies of unlimited power and disembodied immortality, that recognizes and celebrates finitude as a condition of human being, and that understands human life is embedded in a material world of great complexity, one on which we depend for our continued survival”. (p.5)

She argues that the concept of disembodiment is not a new one and was described in humanism as well when cognition was emphasized rather than embodiment.

She sees herself as a posthuman collectivity, a “we” of autonomous agents operating together to make a self.

Virtuality is defined as “the cultural perception that material objects are interpenetrated by information patterns”

In 1948 Shannon defined information “as a probablility function with no dimensions, no materialility, and no necessary connection with meaning. It is a pattern not a prescence” (p. 18). This leads to theories of disembodiment. However, the author explains that there have always been critics of this view and that this was a theory driven by the atmosphere of the time. The author would like to recover ” a sense of the virtual that fully recognizes the importance of the embodied processes constituting the lifeworld of human beings”. The book she is introducing describes various narratives through an interplay of science and literature. She would like to see disembodiment as just one narrative amongst others. She uses literature to illustrate “embodied” theories. Literature itself shows that we use embodiment (information is not portrayed as patterns but is embedded in a story).

What do I think of this text?

I’m really pleased that Hayles is arguing for an embodied version of the posthuman. I have never liked the concept of disembodiment. I also agree that the existence of virtuality and virtual worlds is not an argument for disembodiment of information. Virtual worlds are games where you use your imagination and the imagination will always be part of you.

What I don’t quite understand is how she is reacting to the definition of “posthuman” she gives in the beginning. She undermines part of the definition in the text by emphasizing the importance of embodiment. To her the splitting up of the persona seems to be more important as a definition. However, she doesn’t really outline her own definition of what “posthuman” is.

Hayles, N.K. (1999). Toward embodied virtuality, chapter 1 of How we became posthuman: virtual bodies in cybernetics, literature and informatics. Chicago, University of Chicago Press. pp1-25

This text looks at what is meant by visual culture.

Culture is defined as a process or set of practices, production and exchange of meanings between the members of a society orgroup. These meanings or represntations structure the way people behave. The visual is central to the cultural consruction of social life in contemporary Western societies.

The author outlines a framework for a critical visual methodology:

There are three sites at which the meanings of an image are made:
The site(s) of the production of an image
The site of the image itself
The site(s) where it is seen by various audiences

Each of these sites has three different aspects (the author calls these modalities)
- Technological
- Compositional
- Social

The author then exemplifies this framework by  interpreting a photo by Doisneau.

I think this will be a useful text for critically evaluating photos, or rather of finding meaning in them. I particularly liked the idea of considering the site where the image is seen by various audiences, as this means evaluating your own thoughts critically.

Rose, Gillian (2007) Researching visual materials: towards a critical visual methodology, chapter 1 of Visual methodologies: an introduction to the interpretation of visual materials. London: Sage. pp.1-27.